Nothing but Violence

by cominsitu


Communism for Children by Bini Adamczak is not even out in English for a while, and yet its already getting praised by the left ( and attacked by the right (national review).

From the National Review: “It’s always tempting to get sucked into the fascinating boredom of Marxist dialectic. In this case the author seems to be setting up the story for some kind of reversal wherein the apparent utopia turns out to be false and another start must be made toward the immanentization of true communism — which, like the English-language edition of Adamczak’s book, is always right around the corner but never quite gets here. Since applied Marxism has to date produced nothing but violence, there is plenty of material for stories where things don’t quite work out. Google translates the book’s title as Communism: A Short History, like finally everything will be different, and if that slightly blasé tone comes across in the original German, it suggests a kind of millennial “whatever” attitude toward the promises of the past. Commies are always sure they won’t get fooled again.”

From Critical-Theory:  “The book uses a children’s book language in order to tell the story of capitalism and six different trials of its overcoming,” Adamczak tells us. Though it should be noted, Adamczak claims the book is for people of all ages. “Communism for Children” was originally published in German in 2004 by the leftie independent publisher Unrast. Adamczak got the idea for the book after a conference called “Indeterminate! Kommunismus” (English: “Indeterminate! Communism”) in Frankfurt. That conference, she notes “was the first attempt after 1990 to really promote the term communism after the fall of the Soviet Union. It attempted to free it from its Stalinist heritage and reuse it as an assemblage for different currents and movements on the left. It was highly anti-dogmatic, very open. Not party-based, but an association of anti-racist, queer feminist, and anti-capitalist movements.” The book takes a “queer communist” approach to telling the story of capital. Everybody in the book is somehow female,” Adamczak tells us, “but there are as many different shades of femininity as there are people.