Siegfried Kracauer (1889-1966): Collected Works

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“The position that an epoch occupies in the historical process can be determined more strikingly from an analysis of its inconspicuous surface-level expressions than from that epoch’s judgments about itself. Since these judgments are expressions of the tendencies of a particular era, they do not offer conclusive testimony about its overall constitution. The surface-level expressions, however, by virtue of their unconscious nature, provide unmediated access to the fundamental substance of the state of things. Conversely, knowledge of this state of things depends on the interpretation of these surface-level expressions. The fundamental substance of an epoch and its unheeded impulses illuminate each other reciprocally.” – Kracauer, The Mass Ornament, 1927

By Siegfried Kracauer:

The Mass Ornament: Weimar Essays (1922-1931)

The Salaried Masses: Duty and Distraction in Weimar Germany (1930)

From Caligari to Hitler A Psychological History of the German Film (1947)

Theory of Film: The Redemption of Physical Reality (1960)

The Pasts Threshold: Essays on Photography (1927-1951)

Siegfried_Kracauer’s_American Writings: Essays on Film and Popular Culture (1941-1961)

History-The Last Things Before the Last (1969)

On Siegfried Kracauer:

Koch, Introduction to Siegfried Kracauer (2000)

Gilloch, Siegfried Kracauer: Our companion in misfortune (2015)

Hansen, Cinema and experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno (2012)

Craver, Reluctant Skeptic: Siegfried Kracauer and the Crises of Weimar Culture (2017)

Reeh, Ornaments of the Metropolis_ Siegfried Kracauer and Modern Urban Culture (2005

New_German_Critique_54: _SPECIAL ISSUE ON SIEGFRIED KRACAUER 1991

Ockman, Between Ornament and Monument: Siegfried Kracauer and the Architectural Implications of the Mass Ornament

Forrest, The Politics of Imagination: Benjamin, Kracauer, Kluge, 2015