From the commodity to the spectacle: Debord’s Marx (Russell, 2019)

by cominsitu

Guy Debord with knife

by Eric-John Russell, Capitalism: Concept, Idea, Image eds. Osborne, Alliez, Russel (2019)

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Published a century after Marx’s Capital, Guy Debord’s The Society of the Spectacle was described upon its release as ‘the Capital of the new generation’ (Le Nouvel Observateur). However, the book’s content has almost never been seriously examined alongside the dialectical logic of the social forms of value systematically ordered within Marx’s Capital. Despite Debord’s description of the modern spectacle as a development of the commodity-capitalist economy, discussions on Debord’s debt to Marx customarily emphasize those early writings in which Marx enunciates the critique of alienation without having yet traversed the works of classical political economy. And for good reason, as his archival notes can verify. A preliminary glance at The Society of the Spectacle elicits the impression that the ‘ruthless criticism of all that exists’ first enunciated by Marx in his early twenties continued to reverberate a century later. The book resounds with both implicit and explicit reference to the phenomenon of social alienation or estrangement described by Marx in the 1844 Manuscripts. READ PDF