An interview with Kim Stanley Robinson by Helena Feder / RP 2.01 (February 2018)
Kim Stanley Robinson is the author of more than twenty works of fiction, including the celebrated Mars trilogy (Red Mars, Green Mars and Blue Mars), Forty Signs of Rain, The Years of Rice and Salt, 2312 and, his latest novel, New York 2140. A former student of Fredric Jameson, Robinson’s work is consistently anti-capitalist. His novels evince not only his deep interest in global economy and ecology, but also a belief that fiction may venture into spheres where theory fears to tread. For Robinson, science fiction is uniquely placed to do this, rooted both in what is and what could be. In the best tradition of the genre (H.G. Wells, Isaac Asimov, Ursula K. Le Guin), it can consider critically both the politics and possibilities of technology, and the social, ideological and ecological systems that give rise to it. Science fiction has, in this sense, a particular responsibility not only to imagine the future but to imagine how we might change its direction. In Robinson’s New York 2140, a series of connected characters, centred around the MetLife tower in a future inter-tidal world, a financially and physically liquid city, come together to do just this. Sea levels have risen in two catastrophic ‘pulses’ of ten and forty feet, transforming planetary and human geography. In the midst of this ecological and refugee crisis, lower Manhattan becomes ‘a veritable hotbed of theory and practice, like it always used to say it was, but this time for real.’
AlphaGo, fake news, cyberwar: 2017 has felt science-fictional in the here and now. Space settlement and sea-steading seem just around the bend; so, at times, do nuclear war and pandemic. With technological change cranked up to warp speed and day-to-day life smacking of dystopia, where does science fiction go? Has mainstream fiction taken up the baton?
Nature asked six prominent sci-fi writers — Lauren Beukes, Kim Stanley Robinson, Ken Liu, Hannu Rajaniemi, Alastair Reynolds and Aliette de Bodard — to reflect on what the genre has to offer at the end of an extraordinary year.
by Kim Stanley Robinson (1991)
The covering law model of historical explanation states that an event is explained if it can be logically deduced from a set of initial conditions, and a set of general historical laws. These sets are the explanans, and the event is the explanandum. The general laws are applied to the initial conditions, and the explanandum is shown to be the inevitable result. An explanation, in this model, has the same structure as a prediction.