Capitalist Realism

Mark Fisher, 1968-2017

It’s easier to imagine the end of the world than the end of capitalism

In one of the key scenes in Alfonso Cuarón’s 2006 film Children of Men, Clive Owen’s character, Theo, visits a friend at Battersea Power Station, which is now some combination of government building and private collection. Cultural treasures – Michelangelo’s David, Picasso’s Guernica, Pink Floyd’s inflatable pig – are preserved in a building that is itself a refurbished heritage artifact. This is our only glimpse into the lives of the elite, holed up against the effects of a catastrophe which has caused mass sterility: no children have been born for a generation.

Theo asks the question, ‘how all this can matter if there will be no-one to see it?’ The alibi can no longer be future generations, since there will be none. The response is nihilistic hedonism:

‘I try not to think about it’.

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